Creative demands change, timelines change, clients change. Everything about this job changes constantly. Except Scout.
Old-school trained, new-school brained. We're hands-on bettermakers, creative and strategic partners that enhance and execute the musical vision for your project.
Music supervision. Music production. Music licensing catalog. Today's budget-challenged and nimble projects require flexibility to drive the best results for the job. The central question is.. How should we go about it? Music search? Original demo? Need 1? 15? By Friday? Or does it make sense to music supervise this? Bring in options from labels and outside artists with no restrictions?
Asking/answering. Are we leaning obscure or obvious on this? Will the client go for this? Bring in a hot new beatmaker for a couple options? Add a known name to the mix? Do a session at a place at the beach?
Joey Prather, Founder
Headphones on, listening to Bob Seger and early rap records at age 4. Sneaking a Fisher Price tape recorder to record The Empire Strikes Back. Writing horn parts in calculus class. 4 hours of piano a day in college. Tours of the US and Canada, Europe and South America.
A deep love of indie pop and rock in all its forms. Classic and new pop, hip hop and RnB. Conductor of orchestras, opera and music theater. Experienced in gospel, jazz, funk and bluegrass. Southern and classic rock, country and folk.